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Bulletin of the MRSU / Section "Russian Philology" / 2013 № 2.

 

A.A. Strel'nikova

[Bernhard Kellermann’s “Documentary utopia”: fact and fiction in the novel “The Tunnel” (“Der Tunnel”)] In: Bulletin of the Moscow Regional State University (electronic journal) [Bulletin of the Moscow Regional State University (electronic journal)], 2013, no. 2.

Doi:10.18384/2224-0209-2013-2-358


UDC Index: 82

Date of publication: 04.04.2013

The full text of the article

Downloads count Downloads count: 26

Abstract


The article considers the ways of achieving a documentary effect in the novel «Der Tunnel» by German writer B. Kellermann. It’ s stated that the novel in many respects anticipates the aesthetics of the «Neue Sachlichkeit» movement. The combination of the documentary discourse and genres of fantasy and utopia led Kellermann to a special place in German literature of the first half of the twentieth century. The article discusses the hypothesis of the “pseudo-documentary” strategy in Kellerman’s novel.

Key words


Expressionism, «Neue Sachlichkeit», documentary style, utopia, fantasy, myth, pseudo-documentary, cinema-style

List of references


1. Andreev L. ZHivaya kniga Andreev L. Sobranie soch. v 6 tomakh. T. 6. M.: Izdvo "KHud. litra", 1996.
2. Kellerman B. Tunnel' / Per s nem. P.S. Bernshtein. M.: Izdvo "Pravda", 1981.

Лицензия Creative Commons