The author examines «gender» as the most important theme of D.S.?Merezhkovsky’s creative activity on the material of the second «Complete Works» (1914). The analysis of the semantic components and their correlation inside the semantic field shows that both critique and political essays of the writer are a detailed explication of meanings encoded in his fiction. At the same time these texts are used as a means of updating and expanding the problematic and thematic layer across Time and Space. The larger chronotrope, in its turn, strengthens the integrity of this lifetime complete works and promotes its legitimization as a structural and semantic unity.

D.S.?Merezhkovsky, a lifetime complete works, structural and semantic unity, gender

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