Journal sections
Archive and statistics
Log in



or
Печатный вестник PRINTED
JOURNALS OF
MRSU
Издательство МГОУ Publishing house the
MRSU
CONTACT US:

Our address: 105005, Moscow, Radio street,10a, office 98.

Telephone:
+7 (495) 780-09-42 add. 1740,
+7 (495) 723-56-31

E-mail: info@evestnik-mgou.ru,
e-mag@mgou.ru

Work schedule: Monday to Thursday from 10-00 to 17-30,

Friday from 10:00 to 16-00,

lunch break from 13:00 to 14-00.

 

WE IN SOCIAL MEDIA

BK Facebook Telegram Twitter Instagram

Bulletin of the MRSU / Section "Psychology" / 2019 № 2.

 

I.G. Sazonova

ACTUALIZATION OF THE SOCIAL FUNCTIONS OF MUSIC IN THE PERCEPTION OF MUSICAL GENRES (BY THE EXAMPLE OF STUDENTS’ SOCIAL PERCEPTION). In: Bulletin of the Moscow Region State University (electronic journal), 2019, no. 2, pp. 126-140.

Doi:10.18384/2224-0209-2019-2-960


UDC Index: 159.9.072.42

Date of publication: 27.06.2019 Page: 126 - 140

The full text of the article

Downloads count Downloads count: 12

Abstract


The study reveals the interrelation of the social functions of music with the choice of prior musical genres. Eight musical functions are found: cognitive, emotive, social, relaxation, sublimation, anti-stress, self-improvement, background. The correlation relationship between the functions of music and such genres as: Classical, Rock, Rap, Jazz, and others is revealed. The greatest number of correlations with the functions of music was shown by the Rock genre. A correlation was found between the social function of music and Russian rock. Musical value orientations emerged in correlation with the social unity of students and the manifestation of the social functions of music.

Key words


perception, perception of music, functions of music

List of references


1. Adorno T. V. Izbrannoe: Sotsiologiya muzyki [Favorites: Sociology of music]. Moscow, St. Petersburg, University book Publ., 1998. 445 p.
2. Anan’ev B. G. [The experimental study of the influence of music on behavior]. In: Voprosy o povedenii rebenka i vzroslogo [Questions about behavior of the child and the adult], 1928, iss. 1, pp. 21–26.
3. Borisova E. B. Psikhologicheskie osobennosti kategorial’noi organizatsii vospriyatiya muzyki uchashcheisya molodezh’yu s raznym urovnem muzykal’nogo obrazovaniya: avtoref. dis. … kand. psikhol. nauk [Psychological peculiarities of categorical organization perception of music students with different levels of music education: abstract of PhD thesis in Psychological sciences]. Samara, 2009. 25 p.
4. Decker-Voigt H.-H. Vvedenie v muzykoterapiyu [Introduction to music therapy]. St. Petersburg, Peter Publ., 2003. 208 p.
5. Kaigorodova N. Z., Yatsenko M. V., Afanas’ev N. I. [EEG-correlations of the response features of the different music styles in the context of individual personality]. In: Izvestiya Altaiskogo gosudarstvennogo universiteta [News of Altai State University], 2013, no. 2–2 (78), pp. 63–67.
6. Kirnarskaya D. K. Muzykal’noe vospriyatie: problema adekvatnosti: dis. … dokt. iskusstvovedeniya [Musical perception: the problem of adequacy : D. thesis in Art]. Moscow, 1997. 249 p.
7. Kirnarskaya D. K. Psikhologiya spetsial’nykh sposobnostei. Muzykal’nye sposobnosti [The psychology of special abilities. Musical ability]. Moscow, Talanty-XXI vek Publ., 2004. 496 p.
8. Konen V. J. Tretii plast: novye massovye zhanry v muzyke XX veka [The third layer: new mass genres in the music of the XX century]. Moscow, Music Publ., 1994. 160 p.
9. Nazaikinsky E. N. [Musical perception as a problem of musicology]. In: Vospriyatie muzyki [The perception of music]. Moscow, Music Publ., 1980, pp. 53–59.
10. Klyuev A. S. [Musical culture of the listener (from the experience of teaching musical disciplines)]. In: Vestnik Leningradskogo gosudarstvennogo universiteta imeni A. S. Pushkina [Bulletin of Leningrad State University named after A. S. Pushkin], 2015, vol. 3, no. 1, pp. 115–121.
11. Orlov G. Drevo muzyki [The tree of music]. Vashington, St. Petersburg, H.A/Frager&Co Publ., Soviet composer Publ., 1992. 410 p.
12. Polyanskaya E. N., Belyaeva A. V. [Musical style preferences of students with different levels of musical training]. In: Zdorov’e i obrazovanie v XXI veke [Health and education in the XXI century], 2016, vol. 18, no. 6, pp. 136–141.
13. Zhirkov A. M., Kopeikin K. V., Skibinskaya A. V., Panov A. A. [Psychosomatic models in assessing the impact of music on people]. In: Vestnik Sankt-Peterburgskogo universiteta. Iskusstvovedenie [Bulletin of St. Petersburg University. Art history], 2014, no. 3, pp. 174–182.
14. Sazonova I. G. [The root folder of the musicians and mathematicians’ abilities]. In: Nedelya nauki Sankt-Peterburgskogo gosudarstvennogo politicheskogo universiteta. Gumanitarnyi institute: materialy nauchn. foruma s mezhdunarodnym uchastiem [Science Week of St. Petersburg State Political University.. Institute for the Humanities: Materials science forum with international participation], 2015, vol. 2, pp. 11–15.
15. Syrov V. N. Stilevye metamorfozy roka ili put’ k «tret’ei» muzyke [Style metamorphoses of rock or the path to the “third” music]. Nizhny Novgorod, Publishing house of Nizhny Novgorod University Publ., 1997. 209 p.
16. Teplov B. M. [The psychology of musical abilities]. In: Teplov B. M. Izbrannye trudy. T. 1 [Selected works. Vol. 1]. Moscow, 1985. 328 p.
17. Kholopova V. N. Muzyka kak vid iskusstva [Music as an art form]. St. Petersburg, Music planet Publ., 2014. 320 p.
18. Kholopova V. N. [The theory of musical content, musical hermeneutic and musical semantics: similarities and differences]. In: Zhurnal Obshchestva teorii muzyki [Journal of the Society for Theory of Music], 2014, no. 5, pp. 20–42.
19. Schäfer T., Sedlmeier P., Städtler С., Huron D. The psychological functions of music listening. In: Frontiers in Psychology, 2014, vol. 4. Available at: https://www.frontiersin.org/articles/10.3389/fpsyg.2013.00511/full (accessed: 17.04.2019).

Лицензия Creative Commons